Collection · 14 tools

Value and Tone Tools for Artists

Value is how light or dark a color is, and it carries the drawing, the form and the light of a picture more than hue does. These value and tone tools set color aside so you can read values, simplify them and plan them. They belong to our free tools for artists, and none of them uploads your images.

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The collection · 14 tools

How they fit together

From reference photo to value plan

The value and tone tools are set out below in the order an artist reaches for them, and each is one of our free tools for artists.

  1. A value workflow reads first and reduces second. The value checker converts a reference to perceptual grayscale and reads any point on the 1–10 scale, so the lightest light, the darkest dark and the value of the largest shape are known before anything is decided. The notan generator then cuts the picture to two or three values, which is where a composition stands or falls: a light–dark pattern that fails as a notan is not rescued by adding more values.

  2. Once the big pattern holds, the value study maker posterizes the same reference into as many steps as the painting needs, with thresholds you move by hand, and that posterized image becomes the map you paint from. Drawing media need one more step. The value range compressor re-keys the photograph's range into what graphite, charcoal or paint can reach, and the pencil-grade map labels each region with the grade that makes it.

  3. At the easel the loop closes on your own work. Photograph the painting, and the value key analyzer reads the reference's key, value span and largest mass, then shows whether the painting reads lighter or darker, whether its span narrowed and which value zones drifted.

Questions about value and tone tools for artists

The 3 questions below deal with tone and value as words, the number of values a study needs, and why painters squint.

Is tone the same as value?

Yes, tone is the same as value in drawing and painting: both mean how light or dark an area is. Color theory also uses tone in a narrower sense, a color mixed with gray, which is the sense the tint, shade and tone generator uses.

How many values does a value study need?

A value study needs three to five values, and a notan needs two or three. Fewer values force decisions about shape; past about seven, a study starts copying the photograph again instead of simplifying it.

Why do painters squint at the subject?

Painters squint at the subject because squinting cuts the light reaching the eye and blurs detail, so small value differences merge and only the large light and dark masses remain. The black mirror and the grayscale views in these tools do the same job without the eye strain.